Having dressed the walls and my wounds with classical music tonight, my thoughts now alight upon the exclusivity principle rooted to our being. The marrow starts to gel in the bones then vaporizes and shrieks out – a veritable night train whistle, forewarning us of the onslaught of the millenial generations. It’s nobody’s fault. Life just steams and marches on, stepping carelessly over the carcasses of the formerly treasured, the loved. Some of the more rock-like formations hold out a little longer. Consider the St. Petersburg Conservatory, one of only thousands of imperial-strength monuments in the world which could sing you impossible tales of a century ago, hemmed in at the waist by a sea of concrete.
|‘Highway#1. Bodega Bay by helicopter’ – KatYa, 2016|
One cannot have a delicate stomach for change. We must all harden our arteries to the passage of life, for it will divert its path from us and our microcosmic runs, either way; tastes will change, schools will shift, culture will replace itself, rejecting, celebrating, denying, judging, appreciating, dismissing, cherishing, banning, engorging, ridiculing, savoring along. I think the best you can do is love it while you last, participate in the push and pulls, and when your very own consigns you to your residue, the dripping-to-seal wax of human history, you take your place and hold there, never giving up, whilst the populace cartwheels over your back and pushes you deeper down by soft and sure palms, to the world beyond the light-wind-water-fire, into a quiet and dark place inhospitable to your past, where you may again flourish with a nitroglycerin glow, vasodilating in the belly of the heart of an era.