My Year of Rest and Relaxation by Ottessa Moshfegh Katya Mills‘s reviewFeb 12, 2021 · edit liked it Our antiprotagonist gets progressively mired in her chosen selfish sedentary life for a year. Like a life experiment with a careless interest in self-transformation, in NYC, 1999. She lies to her psychiatrist about her use of prescriptions for no apparent reason, as the psychiatrist has no moral or ethical compass to begin with, just a professional hiding behind a lot of jargon and bullshit. Ever met anyone like that? The character closest to real is her best friend Reva yet she is the most annoying and pathetic of them all. Materialistic. Superficial. Zero self-worth. Dependent on guys who use her. They both are. Maybe this is why they are friends. I liked the book, laughed a lot. Some very funny one liners. But not as much as Eileen. Maybe the main character was too sad and jaded. A product of her environment. Maybe it came too close to how life can feel in 21st century America when it’s at its worst. When you give up and are rich enough not to have any responsibilities, and you care but not really.
i got some distance and six months later went back to reread the latest book i wrote. TROUBLE’99. i read the first half on friday and the second half on sunday. i don’t think i would have changed much. i was really happy about the first half. the character development and the plot and the struggle and the setting were all crystal clear. dialogue was good. no typos or obvious grammatical issues. in the second half you saw an intensification of the problems my characters faced, both internal and external pressures mounting: socioeconomic hardships leading to sacrifice of values, addiction, conflict, suffering. a reader hoping for them to see a way out of their dilemma will be disappointed. they struggled to make enough money busking and selling weed to get off the streets. for them this was a great success. Kay freed herself from an unhealthy relationship with Aden. the hardships they all faced together clearly strengthened their friendships.
yes i allowed for a little light to enter the story, but mostly they marinate in their problems. i admit as a stand alone TROUBLE’99 fails. this book is intended to be the first in a series, so there will be a sequel.
my point in writing these somewhat dark tales of hard reality these past several years is to highlight very real social injustices. to give names and faces and make these people real. it’s so easy to walk down any city street in America and ignore a large segment of our population. to recoil and turn away from those faced with addiction and homelessness and great depths of mental illness and trauma. i know many readers read books to escape reality and go somewhere that fills the heart with joy. my books may not always offer that kind of escape. they may take you somewhere you never wanted to go. but if you are looking for an adventure of a different kind, if you are hoping to have your heart stirred with understanding if not compassion for the downtrodden and alienated among us, my work may interest you after all. #katyamills
The Luzhin Defenseby Vladimir Nabokov, Michael Scammell (Translator) Katya Mills‘s reviewOct 27, 2020 · edit liked it It took me 9 months to finish this book but that’s not terribly unusual. Anything written by a master like Nabokov can be taken up like a special chocolate your traveling cousin brought you from overseas, kept in the freezer and partaken once in a while for an instant of exceptional flavor. I would only read 5 pages at a sitting and I had other books and magazines vying for attention. Nabokov’s writing style will never disappoint a careful reader, unless perhaps the translation is weak (and you’re not likely to come across that problem if you live in an English, German, or Russian-speaking land, for he lived in many countries and translated his own work). The story revolves around a boy who takes up chess and becomes obsessed by the game, easily chosen over a community of peers who have little to offer and mostly pick on him for his appearance and demeanor. There is an obvious antagonist in Valentinov who takes Luzhin around to coffeehouses in great cities around the world, setting up matches, promoting him widely and checking him into hotels and pulling him by the collar without any heart for how he may feel about his insular life as a budding chess master. Valentinov reminded me of Elvis infamous ‘doctor’ always in recess with his bag full of ‘medication’. Luzhin naturally decompensates under the rigors of traveling and the hyper focused spotlight of competition, performance, and obsession with the game. You could call his nervous breakdown the Luzhin ‘Defense’ as it ultimately acts as a defense mechanism to protect his ego from being swallowed whole in this world. The remainder of the novel is reminiscent of Dostoyevsky’s The Idiot (another book I am reading very slowly lol) as both protagonists are half-baked moving about with watchful eyes of worried loved ones. Line by line I certainly wasn’t feeling drawn into the ‘suspense’. This was a character driven book. Clearly not one of Nabokov’s most popular. It is a touching study of what it must feel like to exist inside the mind and heart of a man who was fated to play the part of a pawn on the chess board of life.
I am the author of this title, Everlee & Lee, a dark tale revolving around a teenage boy and his sister trying to make sense of a family tragedy. Spirit life haunts the Queen Anne Victorian home in which they live. I use a rather formal (and unreal) type of dialogue on purpose. Temporal shifts accompany the telekinetic and telepathic powers of the characters. One other thing I will confide to you. I wrote this story out of the great and painful heartache I lived with, after my grandfather was essentially murdered by an awful gold digger of a woman he married. My family sued and got the money she stole from him back. Because she had the body cremated the day after his death, a case for murder was never made. Writing this story helped me find my own peace.
I am the author of this book. I wrote the greater portion of this book when I was in my twenties, living in Chicago on the west side (not far from where the Smashing Pumpkins got famous, and the movie High Fidelity was filmed). I used to go to the coffeeshops in Bucktown and the Polish Triangle with my laptop to write. This was late 1990s and you could get your ass kicked for writing on a laptop in public. It wasn’t cool to be a geek. Writing from my protagonist Will’s perspective was not difficult seeing as I am gender fluid myself. I was a pretty tough chick or I thought I was, rather angry at the world, introverted, rebellious in attitude and spirit. I hung around other punks and geeks I met in the bars, cafes and small clubs on Division and Damen, and in Wicker Park and the Ukrainian Village. All I wanted was to be left alone and write. I was in some existential pain, I suppose, lonely in my heart. So I gravitated toward others who felt injured or broken. I had more than one love/hate relationship, the characteristics of which you will find in the novel. You can call in creative nonfiction if not fiction. If you ever go to Chicago look up Quimby’s bookstore and the Flat Iron Building. I wrote the greater portion of this book a stone throw away.
In a modern day American city, there are those who track and hunt down humans for their fear. They are indiscernible from you and me. This is the story of Ame, an unusual girl with a tendency to fall for all the wrong ones. Her abduction was foretold by the voices in her head. She has the same light in her eyes that marks them. She wants only to capture your fear… and maybe your heart.
In this sequel to Katya Mills’ urban fantasy, Daughter of Darkness, Ame has fallen in love with a young man who shares the dark gift. He skateboards into her life and they roam the streets together. Conflicted by her own violent nature, she has become nevertheless intoxicated by the ways. She thirsts after ‘the tangy energetic’. A death dealer of a different kind prowls around the boarding house where Ame and her boyfriend live. Meanwhile her best friend, Bless, vies for her attention.
Hendrix, a bloodhound for tracking fear, inadvertently leads Ame to Kell, a kindred spirit in the grips of a terrible addiction. She takes her little sister with green eyes under her wing. Just as Ame seems to have found her rhythm in the chaos surrounds her, someone very close to her disappears. In her search for her loved one she uncovers a secret, revealed on the tapes of a security camera, which threatens to uproot her, once again.
Capote uses character and language so well in this novel. This book gave me a fresh take on how words can be manipulated and strung together in fresh and innovative ways, and was definitely useful to me both as a writer and reader. I also like that it takes place in the deep south. Capote captures time and place and context, while offering us new lenses, fresh atmospherics. I found this novel magical, it casts a spell which holds on from beginning to end.
I loved the movie so I decided to read the book. Much of the material is based on the author’s personal experiences as a junky who knocked off pharmacies with his partners on the West Coast to maintain their habits, and as a result were marginalized and meshed into a subculture exposed to violence, degradation, incarceration, and often on the run. The narrator owns his experiences like an adventure he takes part in ‘by choice’ and as an exercise of free will. The tone is one of dark comedy. The book is a quick read with simple vocabulary and lots of speaking parts rounded out by short descriptions and visualizations in and around Portland, Oregon. I felt like I could care about Bob and Diane and Nadine and Rick, maybe even more than they cared about themselves in the end!